Sunday, September 29, 2013

Writing by Firelight (or trying to at least)

Quick synopsis: there's a writing metaphor and some agent advice in this post.

Yesterday was the first full day of Operation: Get the Novel Finished. I am staying in a lovely cottage on the Scottish coast near Banff until the end of October. It is beautiful and, above all, quiet. As many of you know, the past year has been a challenging and frustrating one for my writing. Getting my older son through his senior year of high school and all the attendant anxiety about college admissions as well as the first year of homeschooling my younger son, created a huge challenge to finding time to write.

Added to that was a change in the flight path of the airplanes that land at SFO. After more than a decade of living near the airport without problems, the FAA changed the buffer zone for departing flights and suddenly we went from one or two airplanes flying over our town each week to more than a hundred A DAY flying almost directly over our house. When we bought our house over a decade ago, one of my concerns was the proximity to the airport, but we were assured that the planes rarely come over the town, and that held true until the FAA changed the rules two years ago. And the planes are LOUD - our town is built against a granite mountain and is a perfect bowl shape, so the sound ECHOES and the house vibrates. And when SFO gets backed up or there are flight delays in other parts of the country, the planes go overhead as often as every three minutes for more than an hour. They start at 6 in the morning and continue until after midnight. They interrupt the flow of my thoughts so completely, it is like getting a phone call every three minutes while trying to write. Plus the anxiety of never knowing if each day is going to be mildly distracting or, when I sit down to write, it's going to be an every-three-minutes kind of day. Forget about being able to write in my preferred environment - total silence - at a minimum, I have had to wear noise cancelling headphones while I write. And forget about listening to my preferred choice in writing music (Yo-Yo Ma's cello concertos), the only thing that keeps me from hearing the planes is the constant drone of white or pink noise. Sometimes it's bad enough that I have to use ear plugs with the headphones.

And added to ALL that, was the pressure of having an agent who wants to see the novel when it is done. You may remember that I met Jeff Kleinman, head of Folio Literary Management, at the Squaw Valley Community of Writers workshop last summer. What I didn't write about was that we hit it off really well. Folio has been at the top of my list since I started looking for an agent, so I was thrilled to send him the novel after the workshop. Though he liked it and me and had some lovely things to say about my abilities as a writer, he also had some problems with the novel and decided to pass. However, he told me that if I wanted to revise it, he would love to take a look at it again. Because he'd put his finger on some things that had started to bother me about the novel's structure, I told him that I was going to stop querying and take some time to rework the book, and that I would, when it was finished, take him up on the offer to look at it again. He wrote back almost immediately and said, "Great. Here's where we start: define your premise." Thus began a back and forth between us that lasted for a few months while I struggled to define what my book was about, finally realizing that, since I couldn't articulate it clearly, succinctly and in a few sentences, that the premise wasn't as well-defined as I'd hoped. I finally realized that I was going to have to take some time to rethink the novel. All while one of my dream agents was waiting to read it and the airplanes were flying overhead and kid #1 was facing burnout from 12 years of constant education and taking 4 AP classes and having to get applications in on time, and kid #2 was needing me to create a curriculum and oversee his education and stressing about whether we had done the right thing (we have, he's much happier AND getting a better education), and I was frantically trying to give the novel the space it needed while constantly looking at the calendar and thinking, COME ON ALREADY!

Anyway, long story short (I am a novelist, this is how I roll): back in January, I finally figured out what I needed to do with the novel (I'd been concentrating on the wrong character's story which resulted in almost zero tension or risk to the narrator who is the main character - not good) and was able to get back to work. I spent four months reworking the first chapter until I felt it was solid. Then I went to Lit Camp, where Janis Cooke-Newman declared that it was a near-perfect first chapter. That was when I knew I was ready to contact Jeff, tell him what I was doing, and send him the pages. I'd gotten the book to a place where I was happy with it. No matter what he said, this was the direction I was going to be pursuing. Fortunately, Jeff LOVED the new direction. "Are you done?" he asked. No, I said, but I knew where I was going, had it pretty much mapped out, and expected to be finished by the end of October. "Great!" he replied. "Send it to me when it's finished! Can't wait to read it!" (he really does use all those exclamation points).

(Incidentally, if you got to my blog by searching for Folio or Jeff, and are thinking about querying him, you should know 1) he responds VERY QUICKLY (sometimes in a matter of hours, and at all times of the day (I know someone who got a rejection from him within 2 hours on a Sunday evening after 11 pm East Coast time) - the way I knew I'd hooked him with the new first chapter was that it took him a couple of days to get back to me - if you're going to query him, make sure your premise is ROCK SOLID before you send it, and 2) he can be brutally blunt - when we were going back and forth over my attempts to write a premise statement, he pretty much told me that one of them completely sucked. If you can't take that kind of bald-faced, not sugar-coated-in-any-way feedback (and several people at Squaw couldn't), he is not the agent for you.)

A few days after Lit Camp kid #1 and I got on an airplane and flew to Aberdeen, Scotland, so he could check out the university because he'd applied and gotten accepted and wanted to know if he could actually be okay going to school so far from home. Both of us fell in love. Him with the school (it was founded in 1495, if that doesn't get you excited as a history major, nothing will) and me with Scotland (again). I'd spent a week here when I was in college - Edinburgh, Inverness, Glasgow - and loved the country and (now) how quiet it was. So when kid #1 decided he was going to choose the University of Aberdeen and our family decided to take a couple of weeks before term started in September to do a family vacation in the UK, I also decided to find myself a quiet little cottage and spend the month of October finishing up the novel without any distractions (and also to be available in case kid #1 ran into any emergencies in his first month of school (he has Type-1 diabetes and felt more comfortable about his choice of schools if I stayed longer) - it's much less expensive than having to purchase a last-minute airplane ticket and fly 18 hours to get to him).

So here I am. Living in a cottage for the next month in the midst of 500 acres of Scottish farm country with nothing to do except finish the novel. It is quiet and peaceful and the Scottish countryside is one of those places my soul calls home.

Yesterday was my first day even looking at the novel in over a month. Planning our trip and kid #1's departure for college, coordinating all the details of flat rentals and car rentals and who wanted to see what and making sure the mail got held while we were gone, etc etc etc felt like I was planning troop movements rather than a vacation and took up all the available creative space in my brain.

It turned out, the break was a good one. It gave me some perspective, so that when I read through what I've written so far, I could see it with fresh eyes, see what was actually on the page rather than what I'd wanted to do or thought I was doing. And, most importantly, see that it was working.

But then it was time to start writing again. That was a bit of rough going and it took some time yesterday for the words to start coming back. However, I found a metaphor to help explain the process!

The cottage has a coal-burning multi-fuel stove for heat, and I've been trying to figure out how to use it. I can build wood-burning fires without a problem. Fireplace or stove, doesn't matter. I know how to burn wood. Coal is a different matter, I found, and requires a different set of tools - I haven't figured it out yet, but I'll get there. The metaphor, though, is about what it takes to build a fire, and is very much what this writing retreat feels like.

To build a good fire, you start out with a super-quick burning material, like newspaper, and a quick-burning material, like small twigs or a firelighter stick. But you can't build a fire with just those materials because they burn too quickly and will smother if you try to put something larger on top of them. So you need a medium-burning material, like branches that are about an inch or so thick. You need these because they will catch fire from the burning of the kindling and paper, but aren't heavy enough to smother the flame or cut off the flow of oxygen. Because fire is also all about how much oxygen is getting into the mix. Too much and the flame will go out or burn too fast too early and consume all your quick-burning materials before anything else catches. Not enough, and the fire will smother and go out. Once you've got the fire going, you can start adding the heavier, slower-burning materials - like logs or coal. These are the pieces that are going to make the fire burn hotter and longer, the ones that will really keep the fire going, but you can't start out with them. They are too big to catch fire just by holding a match against them. Go ahead and try it. Even if a log is completely dry, the most you'll do is singe it.

As I struggled yesterday, I realized that trying to get that fire started was exactly what I was doing with the writing after being away from it for so long. I couldn't just jump right in and expect to blaze away for several hours (that's not the phase of writing the novel is in anyway), I needed the quick-burning materials (like this blog or my journal) to get the words flowing, and I needed the medium-burning fuel to build a base so that I could get to the days I know are coming, the days when I will spend eight hours straight in front of the computer and still come back for more.

Building the writing was exactly like building a fire. I wrote the invocation to the muse that had come to me in the middle of the night, then I opened the novel document and wrote a sentence. Then there was nothing. Then a few words. An hour later I had a paragraph. By the end of the day I had nearly two pages.

Not bad for a first day. And now...onward.

Saturday, September 28, 2013

Invocation to the Muse

Come, Muse, let us dance.
Let us clasp hands and join ourselves
          body and soul.
Let us set the world weeping with our waltz
     let the intricacy of our movements
     birth universes in our wake.
Let us raise the dead
Let us give voice to the animals
Let us make known what is hidden
     and real what has never been imagined.

Come, Muse, let us embrace.
Let our passion set fire to the air
     and cast pornographic shadow puppets
     on the cave wall.
Let us split the world open in our ecstasy
     and bathe within its core
Let us fall back, exhausted,
     and rise
     to do it again.

Come, Muse, let us join.
Let us pray, heads bowed, crown to crown,
     me here, you there
     the point of connection between our worlds.
Let me give body to your dreams
Let you dream what is my reality.

Come, Muse,
Lend me your wings
     so that I might fly.
Come, Muse,
Let us dance,
          you and I.

Friday, September 27, 2013

Greetings from Scotland

The family and I have been traveling in the UK this past month as we take our older son to university in Aberdeen, Scotland. It's been a whirlwind of fascinating history, visiting incredible places, and learning lots of new things. For me, it was also being able to return to a city I love for the first time since I was a college student: London, as well as an entire country that feels like home: Scotland. Now that kid #1 has moved into his dorm and his classes are about to start, and kid #2 and spouse have returned to the States, I am off on my own adventure: a month-long writing retreat in the Scottish countryside so I can finish up the novel. I'm going to be posting a lot more frequently over the next few weeks, but I wanted to start off with some of the things we learned about familiar sayings and where they originated, something I find fascinating. 

Lancaster Castle
Our tour guide at Lancaster Castle in Lancaster revealed where several common sayings come from as well as one very surprising fact that I reveal at the end of this post. While the castle was once part of the holdings of the Lancaster family (of the War of the Roses fame), it has served as a prison for much of its life. Though the prison was closed a couple of years ago, it still serves as a civil court. It has a rich history as a debtors' prison and was the site of the second largest witchcraft trial in British history (anyone want to guess what the largest witchcraft trial was? Anyone? Anyone? Bueller? Bueller? - if you said Salem, MA, you are correct. At the time of the Salem witch trials, Massachusetts was still part of Britain).

Anyway, our tour guide revealed that several common sayings come from the way in which executions were handled in the past. Most people were hanged. At Lancaster, most of them were hanged by what's known as the "short drop" method, which involves the condemned standing on an object with the noose around their neck. The object was then kicked out from under them and, if they were lucky, the drop snapped their neck (in the "long drop" method of hanging, a trap door opens underneath them. It's much more likely to snap a person's neck than the short drop), but sometimes, that didn't happen and the person was left to alive and slowly strangled to death. In this case, the condemned's family would come up on the scaffolding and pull on his legs to hasten death.
So our first common saying was "pull the other one" (which is a British saying) or "pulling someone's leg" (which is American). Pulling someone's leg was actually a merciful way to make sure they died quickly rather than slowly and painfully. In addition, 'kicking the bucket' comes from the bucket or chair on which the condemned stood that was then kicked out from under them. 

Sometimes, the hangman's rope broke during a hanging. They reused ropes and sometimes they just wore out. If that happened, they tried again to hang the person with a new rope. You might think that if the rope broke a second time, they would give up, but no, the rope had to break a third time (because of the Trinity) before it was seen as an act of God and the condemned was let go. Hence the saying, 'third time's the charm.'

The third saying comes from a much happier place: Glamis Castle in Scotland. Despite the name, Glamis (pronounced 'Glams') has nothing to do with Macbeth except that maybe Shakespeare took the name because the Earl of Strathmore was one of his financial backers. Glamis was the childhood home of the Queen Mum, however, and the estate has been in her family for the past 600 years. 

The tour led us through some of the oldest parts of the castle as well as the formal dining room (still in regular use by the family to entertain Prime Ministers and other dignitaries), private apartments that were used by King George VI and his wife, Queen Elizabeth. when they visited with their daughters, the Princesses Elizabeth and Margaret. 

In the bedroom where the King stayed, we were shown a tall standing chest of drawers (and, forgive me, the name of it escapes me). There were seven drawers, one for each day of the week. The chest was used by servants to lay out their lord's clothing for the week. The top drawer was for Sunday, which was always a person's best clothing, hence the reason we call something that is really, really good "top drawer" or, more usually these days, "top shelf."

That's about it for the derivation of common sayings, but I'm going to nip back to our tour of Lancaster Castle to tell you about something that surprised the heck out of my entire family: why, when a person is sworn in as a witness in a trial, they are asked to raise their right hand and swear to tell the truth. It used to be that criminals were branded on the meaty part of their right hand just below the thumb. Raising your right hand is a measure of whether you can be trusted or not. It has nothing to do with swearing on the Bible and everything to do with this ancient practice of branding criminals so everyone could judge for themselves the reliability of what they were about to say.

So that ends my history lesson for today. Tomorrow, it's back to work on the novel